Thank you for taking time to analyze the patches Harry.
Selecting a 192 Khz sample rate takes care of the problem!
The Sawtooth through Tera's Shape 6 is a fantastically full, rich, and ironically organic sound until the aliasing kicks in. The first four or five partials are about equal in power which creates the tight but thick sound. The control of timbre makes for wonderfully expressive opportunities.
Looking for the next best equivalent, I tried using Tera's distortion effect module with low cutoff and high tone, and got something in the neighborhood (the fundamental still dominates), but the modulation opportunities aren't there while the aliasing is present similar to the shaper.
Not giving up, I stumbled upon THE SOLUTION!
Using Tera's "Custom Wave" Partial Editor, I drew only the first five partials of the Sawtooth. When I played that through Shape 6 ... Voila, no aliasing* on a sound that's awfully close to the native sawtooth through the shaper. I'm very happy, and will start working this scheme into some new sounds.
There aren't that many waveshaping synths out there (and perhaps now I know why). Thanks to your follow-up Harry, I'm expecting to have a lot of fun with a few partials and a "highly nonlinear distortion unit"!
Bob
* At 48 KHz sampling rate (more my speed), there's some "normal" aliasing artifacts with the truncated sawtooth at the very high end of the register, but nothing like the obtrusive buzzing and ticking when all of the partials are present.